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Compatible with select DSLR cameras
Including Panasonic DC-GH5S, AG-DVX200, AG-UX180, AG-UX90, DMC-GH4, DC-GH5, HC-X1000; Sony PXW-FS5, NEX-FS700, NEX-FS100, α9, α7S II, α7R II, α7S, α7 II, DSC-RX10M2; JVC GY-LS300;
Nikon D4S, D5, D500, D750, D810, D850; GoPro HERO4, HERO3+; Canon EOS 5D Mark III, EOS 5D Mark IV, EOS 7D Mark II, EOS C100. Some product features are dependent on camera firmware.
Six-track recording (four tracks + L/R stereo mix)
Using the built-in mixer, four tracks and their stereo mix (six tracks total) can be recorded simultaneously.
In addition to pan and level adjustments, the mixer includes a delay function to compensate for distances between mics. A mid-side decoding function is also built-in for use with MS stereo mics.
HDMI video clock synchronization
The HDMI input and output allow the DR-701D's internal clock and the camera to be digitally synchronized.
Unlike other systems that force you to press record on both devices, the HDMI start system prevents missed takes, synchronizes two recording starts together, and makes single-operator shoots much easier.
Cascade feature for additional track recording
By connecting multiple units using HDMI, slave DR-701D units can be made to follow the master unit to start and stop recording simultaneously.
SMPTE timecode stores time data in recorded audio files
The built-in SMPTE generator allows the camera and DR-701D to store the same location reference. Several options are available to integrate SMPTE LTC into your camera system.
The BNC timecode input can follow a source signal or can be jam-synced a few times per day for independent freewheel operation. Cameras that send timecode through their HDMI output can be followed by the DR-701D's timecode input.
And the internal generator can be started without an external reference for a simple time-of-day stamp on recorded BWAV files.
High-quality HDDA mic preamps
Resolutions up to 96kHz/24-bit are supported when recording six tracks and 192kHz/24-bit when recording two tracks.
Multiple mic inputs support various on-set recording options
Four XLR/TRS inputs can be adjusted and recorded independently. Talent can be recorded using shotgun mics, lavaliers, or both simultaneously.
Ambience can be recorded using a stereo mic (or the built-in mics). The 3.5mm stereo input can be selected for channels 1-2, and the built-in omnidirectional mics for channels 3-4 for an even wider range of mic setups.
Multiband limiter and five-stage low-cut filter built in
The limiter function automatically adjusts excessive input levels and can operate independently on each of four inputs.
In addition, the low-cut filter can be adjusted to five different frequencies to cut wind noise, rumble and other undesirable low frequencies without damaging the source audio.
Dual recording captures a safety track at a level 6 to 12dB lower than the main track. In case of sudden volume changes on-set, the safety track makes sure that you have an undistorted take.
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